Lily Stockman: Seed, Stone, Mirror, Match

Elizabeth Buhe, The Brooklyn Rail, 7 October 2020
The new paintings read less as transom-topped portals to spatial elsewheres than as presentations of things, however abstract, in the here and now. These primarily symmetrical compositions build up in layers of rectilinear ground in peachy pinks, sandy browns, and pale yellows of varying density and tone, with brush marks visible particularly at the ends of strokes.