For her first U.S. solo show, London artist Gianna Dispenza presents four separate bodies of work, including her “Bathers” paintings, which invert the trope of the woman caught unaware at the water’s edge by a voyeuristic male artist. These canvases are inspired not by sexual desire but by the Dispenza’s discovery of a women-only swimming pool that she quickly embraced as a safe space—one that made her realize how much that feeling was missing in her everyday life.