Works
  • Kenny Rivero, Loip (Lunar Map), 2022
    Kenny Rivero
    Loip (Lunar Map), 2022
    Oil on linen
    70 x 70 inches (177.8 x 177.8 cm)
  • Kenny Rivero, "Two Drawings" (Yeshua and the Dinosaur and Almanaque), 2021
    Kenny Rivero
    "Two Drawings" (Yeshua and the Dinosaur and Almanaque), 2021
    Oil, acrylic, flashe, graphite and colored pencil on canvas
    48 x 36 inches (121.9 x 91.4 cm)
  • Kenny Rivero, 8 Albums (The Hymns We Love), 2020
    Kenny Rivero
    8 Albums (The Hymns We Love), 2020
    Graphite on reclaimed record sleeve
    Framed: 12 ¾ by 12 ¼ by 1 ½ inches (32.4 by 31.1 by 3.8 cm)
  • Kenny Rivero, Don't Look for Me, 2020
    Kenny Rivero
    Don't Look for Me, 2020
    Color pencil and graphite on reclaimed paper from a record sleeve
    Framed: 14 1/2 x x 14 1/2 x 1 1/2 inches (36.8 x 36.8 x 3.8 cm)
  • Kenny Rivero, Hussein, 2020
    Kenny Rivero
    Hussein, 2020
    Graphite on paper
    Framed: 8 1/2 x 8 1/2 x 1 1/2 inches (21.6 x 21.6 x 3.8 cm)
  • Kenny Rivero, Mano Poderosa, 2019- 2020
    Kenny Rivero
    Mano Poderosa, 2019- 2020
    Graphite on record sleeve liner
    Framed: 14 by 14 by 1 ½ inches (35.6 by 35.6 by 3.8 cm)
  • Kenny Rivero, Untitled, 2018-2020
    Kenny Rivero
    Untitled, 2018-2020
    Graphite on paper.
    10 7/8 x 8 1/2 in (27.6 x 21.6 cm)
  • Kenny Rivero, No One, On One, 2017-2020
    Kenny Rivero
    No One, On One, 2017-2020
    Graphite and ballpoint on paper.
    11 x 13 7/8 in (27.9 x 35.3 cm)
  • Kenny Rivero, Robber Radio, 2016-2020
    Kenny Rivero
    Robber Radio, 2016-2020
    Watercolor on paper.
    14 1/2 x 11 1/8 inches (36.8 x 28.3 cm)
  • Kenny Rivero, Unexplainable Hazardous (Recto) Time (Verso), 2016-2020
    Kenny Rivero
    Unexplainable Hazardous (Recto) Time (Verso), 2016-2020
    Watercolor on paper (recto), collage, oil pastel, oil paint, india ink, watercolor, and gouache, color pencil, ballpoint on paper (verso))
    Framed: 14 3/4 x 11 1/4 x 1 1/2 inches (37.5 x 28.6 x 3.8 cm)
  • Kenny Rivero, Women in a Bedroom (R) Accordion Player (Blue Hand) (L), 2016-2020
    Kenny Rivero
    Women in a Bedroom (R) Accordion Player (Blue Hand) (L), 2016-2020
    Watercolor on paper.
    11 1/2 x 16 1/4 in (29.2 x 41.3 cm)
  • Kenny Rivero, Hand in Field, 2015-2020
    Kenny Rivero
    Hand in Field, 2015-2020
    Oil, graphite on paper.
    11 1/8 x 10 3/4 in (28.3 x 27.3 cm)
  • Kenny Rivero, AHA, 2015
    Kenny Rivero
    AHA, 2015
    Graphite on reclaimed book cover.
    7 x 5.625 in. (17.8 x 14.3 cm)
    Framed: 10.5 x 10.75 in. (26.7 x 27.3 cm)
  • Kenny Rivero, Whistler, 2014-2020
    Kenny Rivero
    Whistler, 2014-2020
    Oil, acrylic, latex paint and graphite on paper
    Framed: 15 ¾ by 17 by 1 ½ inches (40 by 43.2 by 3.8 cm)
  • Kenny Rivero, Plant Mask, 2012-2020
    Kenny Rivero
    Plant Mask, 2012-2020
    Marker, graphite, watercolor and India ink on paper
    Paper: 7" x 6-5/8" (17.7 x 15.2 cm)
    Framed: 9" x 9" x 1 ½" (25.4 x 21.9 x 3.8 cm)
  • Kenny Rivero, Pleasant Nurturing and Demure
    Kenny Rivero
    Pleasant Nurturing and Demure
    Graphite on reclaimed book paper
    14 × 11 1/2 × 1 1/2 in (35.6 × 29.2 × 3.8
    cm)
Exhibitions
Video
Biography
Kenny Rivero (b. 1981, New York; works in New York. MFA Yale 2012, BFA SVA 2006.) Rivero's work, which spans paintings, collage, drawings, and sculpture, explores the complexity of identity through narrative images, language, and symbolism. His aim is to deconstruct the histories and identities he has been raised to understand as absolute and to re-engineer them into new wholes, with new functions. His creative process allows him to explore what he perceives as the broken narrative of Dominican American identity, socio-geographic solidarity, familial expectations, race, and gender roles. Rivero cites the hybrid qualities of salsa, hip-hop, house music, jazz, and merengue-as well as Vodun and Santeria, which were present in his daily life growing up-as core influences on his decision-making in the studio. Kenny Rivero's work is represented in notable public collections including The Baltimore Museum of Art; The Studio Museum in Harlem, New York, NY; El Museo del Barrio, New York. NY; The Whitney Museum of American Art, New York, NY; Collection of Thomas J. Watson Library, The Metropolitan Museum of Art, New York, NY; The Nasher Museum of Art, Durham, NC; Crystal Bridges Museum of American Art, Bentonville, AR; and Pérez Art Museum Miami, FL.
Press